{"id":1682,"date":"2020-07-14T20:04:11","date_gmt":"2020-07-14T20:04:11","guid":{"rendered":"https:\/\/josueceron.com\/?page_id=1682"},"modified":"2026-07-28T03:29:17","modified_gmt":"2026-07-28T03:29:17","slug":"prensa","status":"publish","type":"page","link":"https:\/\/josueceron.com\/en\/prensa\/","title":{"rendered":"Press"},"content":{"rendered":"
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Publicaciones de prensa<\/span><\/h3>\n<\/div>\n<\/div>\n<\/div>\n
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“Su desempeño escénico fue destacado, pues los momentos en los que permanecía silente sus reacciones estuvieron en sincronía con el discurso musical, para lograr así énfasis en lo cómico de las situaciones que lo involucraban.”<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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David Zambrano<\/span><\/h6>\n<\/div>\n<\/div>\n<\/div>\n
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EDITOR – pro ópera<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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“confirmó una vez más que es uno de los mejores barítono mexicanos y que posee gracia y comicidad en la escena”<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Vladimiro Rivas Iturralde<\/span><\/h6>\n<\/div>\n<\/div>\n<\/div>\n
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EDITOR – MILENIO<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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“un cantante seguro, con claridad, listo siempre para la comedia, que quizá merezca ya retos y reconocimientos mayores.”<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Iván Martínez<\/span><\/h6>\n<\/div>\n<\/div>\n<\/div>\n
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EDITOR – El Universal<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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“The strong supporting cast is by Josué Cerón as Basilio, his baritone floated in and out of surging orchestras waves with lush clarity.”<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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AUTHOR – CultureVulture<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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“Merecido el aplauso con el que al final se reconoció el trabajo del barítono Josué Cerón, quien interpretó a Papageno, no sólo porque fue constante con su voz, sino porque mostró tablas actorales y no perdió la fuerza en ningún momento”<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Yohan Uribe<\/span><\/h6>\n<\/div>\n<\/div>\n<\/div>\n
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EDITOR – El Siglo de Torreón<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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“en el que el barítono Josué Cerón destaca enormemente por su presencia vocal y capacidades actorales diferentes a las que el público tradicional le conoce por sus roles en comedias del repertorio belcantista; es un actor nato a quien muchos directores de escena quisieran en obras de teatro dramático”<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Iván Martínez<\/span><\/h6>\n<\/div>\n<\/div>\n<\/div>\n
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EDITOR – El Universal<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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“El barítono mexicano Josué Cerón es hoy uno de los exponentes más importantes de su tesitura en nuestro país. Es un artista de gran musicalidad y carisma en escena que cuenta con un amplio repertorio.”<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Ingrid Haas<\/span><\/h6>\n<\/div>\n<\/div>\n<\/div>\n
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EDITORA – pro ópera<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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“LA resa vocale e attoriale di Irasema Terrazas come Susanna e Josué Cerón come Conte Gil è stata stupenda.<\/span>“<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Luis Gutierrez<\/span><\/h6>\n<\/div>\n<\/div>\n<\/div>\n
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EDITOR – L’ape musicale<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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“Por su parte, Josué logró una excelente interpretación de Sulpice, no desmereciendo un ápice de la calidad de sus compañeros de reparto.”<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Luis Gutiérrez Ruvalcaba<\/span><\/h6>\n<\/div>\n<\/div>\n<\/div>\n
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“Después de su exitosa participación en “La Cenerentola” en semptiembre del 2013, el barítono mexicano Josué Cerón regresó al Teatro del Bicentenario para hacer su debut inolvidable como Fígaro. Su voz se escuchó clara y homogénea, con portentosos graves y color obscuro”<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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EDITOR – am.com.mx<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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“Mención especial merece el barítono Josué Cerón, quien estuvo prácticamente a la par del tenor y la mezzo e hizo también gala de comicidad en el rol de Dandini”<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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EDITOR – El Norte<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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“Josué Cerón (Basilio) had only so-so vocal appeal until his text articulation gave such emotional life to the music that surfaces failed to matter.”<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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MUSIC CRITIC – The Philadelphia Inquirer<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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“fue inolvidable tanto en su canto como en su depurada actuación que tenía al público divertidísimo, no paraba de reír, “<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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EDITOR – PROCESO<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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“Para mi Josué Cerón fue un verdadero descubrimiento como Malatesta. El joven barítono tiene una voz bien enfocada con un verdadero “centro” en el timbre y una admirable flexibilidad. También es apuesto, ágil y astuto… todo lo deseable de un Malatesta, Estaré pendiente de su carrera, con mucho interés. “<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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EDITORA – pro ópera<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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<\/p>","protected":false},"excerpt":{"rendered":"

Publicaciones de prensa “Su desempeño escénico fue destacado, pues los momentos en los que permanecía silente sus reacciones estuvieron en sincronía con el discurso musical, para lograr así énfasis en lo cómico de las situaciones que lo involucraban.” David Zambrano EDITOR – pro ópera “confirmó una vez más que es uno de los mejores barítono 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